The answers for the three segments of the test must not exceed 4 pages total (1000 words) in 11-12 pt. Times New Roman with standard margins. (please write full 4 pages but not over)
This is an open book and open note test on lectures, readings, screenings, and sections. Please keep this in mind.
In other words, be sure to cite lectures, readings, screenings, and sections in your answers when it will help to clarify and support your answer.
I attacked the test below. I also attacked the sample of textual analysis.
FMS 85B TEST II
Available on Canvas: Thursday, March 11 at 11:59 pm PST
Due: Monday, March 15 by 11:59 PM PST
The answers for the three segments of the test must not exceed 4 pages maximum (1000
words) in 11-12 pt. Times New Roman with standard margins.
I. Connections ( 2 pts each):
Choose two of the following and using normal prose (and complete sentences) Define/Identify
each term or phrase, Explain the connections between each, and their broader significance in
terms of their era in television history.
a. Quality TV, Magnum P.I., Libidinal Gaze/Spectacle
b. Between the 3rd & 4th Wave of Feminism, 30-Rock, Intersectionality
c. Reality TV, War on Drugs, Post-feminism
d. Plastic Representation, Grey’s Anatomy, Colorblind Casting,
II. The Significance of the Scene (6 pts. total):
Choose two of the following clips and concepts. Through textual analysis—a close reading,
focusing on specific elements of the selected scene and how it exemplifies and/or relates to
the concepts with which it is prepared.
1) Identify the elements of transmedia storytelling used in the marketing campaign for
The Dark Knight. Specifically, pinpoint moments in the clip used in Lecture
10A where television was used as a modality of the campaign.
2) How does the opening of the Hill Street Blues pilot (00:00 – 3:45) exemplify a shift
toward “quality TV?” Be sure to incorporate close textual analysis (i.e. discuss
specific formal elements from the segment) into your argument.
3) How does the following scene from the pilot of Girls (10:50-16:02) function either
through or against the male gaze? Highlight specific moments, actions, and dialogues
that suggest whether or not Hannah asserts agency in this scene.
4) How do these scenes from Bridgerton [25:21-30:05] engage multiple readings
depending upon whether or not you view the series in a colorblind or color-conscious
manner?
III. Find The Fake (5 pts. total):
For each of the triads below, select which statement is FALSE and explain your choice.
Triad 1
1. Social media is the main platform through which transmedia storytelling functions.
2. There is tension between the possibilities of transmedia storytelling and the imperatives of
neoliberal capitalism.
3. Although transmedia was first coined in the 1990s, it existed as a vehicle for storytelling well
before that.
Triad 2
1. Reality TV can be studied as a product of neoliberalism, a technology of the prison-industrial
complex, and a complex cultural artifact of the present.
2. The golden age of reality TV began on May 31, 2000, with the U.S. premiere of Survivor on
CBS.
3. The Writers’ Strike of 1988 did not, as some later claimed, lead to a tidal wave of Reality
television programming: it would not rise to its current level of popularity until over a decade
later.
Triad 3
1. Third-wave feminism can be characterized as a “movement” that problematically
embraces/supports transphobic perspectives.
2. The use of overlapping dialogue, complex and imperfect characters and narrative arcs that
extended beyond a single to imbue the series with a degree of realism not typical of earlier “cop”
shows.
3. By the time the footage of the Rodney King beating aired on multiple news programs, many in
the audience had no longer shocked by seeing this kind of police brutality on the evening news.
Triad 4
1. The Virgin/Whore Dichotomy is not the “traditional” view/depiction of women and femininity
across television.
2. Plastic representation can be understood as the artificiality of representations of characters of
color on screen with no real investment in those characters’ organic identities.
3. The character of Thomas Magnum in Magnum P.I. is both the object and subject of the show–he
is what we love to look at and what we watch the program for (rather than story or plot).
Triad 5
1. The end of the Fairness Doctrine was caused largely by technological shifts in the 1980s such as
the expansion of cable television, as well as the U.S. government’s adoption of marketplace logics
for the public interest.
2. The Fairness Doctrine made it possible for broadcast networks to embrace ideological/partisan
biases in reporting (as exemplified in the Tucker Carlson and Chris Hayes interpretations of the
January 6 Insurrection).
3. One of the lasting legacies of the end of the Fairness Doctrine is a shift in the interpretation of the
First Amendment from the rights of citizens to be exposed to different political viewpoints in
media to the individual right of media companies to make editorial decisions.
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